Thursday, March 5, 2026

Lies in Lashbook 4

 

Chapter 4

 

Ida and Gladys arrived in time for church the next morning, and Alexander drove the family to church in his beloved Lancia Lambda.

The rather faded blonde, pretty young woman with a small boy came forward to embrace and kiss Ida outside the church.

“Shake hands with Miss Henderson, Cyril,” she said.

The small boy held out his hand obediently, and Ida took it. Her expression changed slightly.

“Why, Mr. Baskerville, how unkind of you to frighten your mouse by giving him to a lady without introduction,” said Ida. “I think you should let him go.”

“I didn’t know you were that good,” said Cyril, with a gap-toothed grin. He reached down and released the mouse he had palmed to shake hands. It scuttled off into the grass at the side of the path and vanished behind a tombstone.

“I’m an archaeologist; I handle dead bodies,” said Ida. “Much worse than a live mouse.”

“Spiffy!” said Cyril.

“Oh, Cyril,” said Cecily Baskerville.

“Oh, you will like Inspector Armitage,” said Ida. “He’s a detective.”

“That’s the cat’s pyjamas!” said Cyril, deeply awed.

“It can be boring at times,” said Alexander. “I don’t spend all my time chasing crooks in cars, Mr. Baskerville, sometimes I do my chasing in an office, in old paperwork.”

Cyril giggled. He liked being ‘Mr. Baskerville.’

        The service was not too long, and the hymns played at a fast speed by Miss Amabel Brinkley, a spinster lady of uncertain years who helped Miss Thripp with the village school, and assisted with the Brownie Guides.  The Scouts and Guides were nicely turned out, under the stern eyes of Tim Mapp, the local bobby, who ran the Scouts, with aid from the vicar and Oliver Oliver, and the Guides were run by Marion Squires, with the aid of her daughter, Maggie, Tim’s best girl, and Miss Brinkley when not performing her duty as organist. Alexander smiled to see Maggie lean over and touch the jiggling knee of a bored Brownie, with a quiet gesture to stay still.  He recognised several of the Girl Guides and Senior Scouts as being members of the chorus. It was a good community, and he smiled, glad he was moving here whenever he could.

After the service, Ida and Gladys spent some time catching up with Maggie and other Girl Guides.

“I wouldn’t have recognised you, Ida,” said Maud Braithwaite. “Why, you look healthy and every inch a fashionable flapper!”

“I was a sickly child, not helped by that evil woman trying to poison me to stop me asking questions about her drug dealing out of our cellar, and later murdering my sister-in-law and my brother, Basil,” said Ida. “Don’t start playing games, Maud; remember who never called you ‘Haddock.’”

Maud flushed.

“I’m sorry,” she said. “I was afraid you were going to throw your weight around, being a lady and all.”

“The war swept most of the old order away,” said Ida. “My fiancé doesn’t make a big deal about his family, either, so don’t start on him.”

Maud blushed.

“I thought he was an outsider, and I was waiting for you to be stuck up,” she said. “And Gladdie looks as if she’s gone up in the world.”

“I’m getting married to Mr. Basil’s man, who is now Mr Alexander’s man and chauffeur,” said Gladys. “And we eat at the same table and he listens to our opinions.”

“He’s still ‘Mister,’ though,” said Maud.

“I doubt he’d care, but I do,” said Gladys.

“I wouldn’t,” said Alexander. “But I won’t push anyone to do what makes them uncomfortable, Miss Braithwaite.”

“Oh, well, so long as that’s understood,” said Maud.

“How come you’re singing Koko, not Katisha?” asked Ida.

“A combination of Oliver stepping down as Koko, and Miss Thripp stepping up as Katisha,” said Alexander.  “I need to ask Fred whether I should introduce lyrics about local characters into the list song.”

“What had you in mind?” asked Ida.

Alexander gave her a roguish wink, and raised his voice in song.

“There are architects whose houses look like sewerage works or worse

And flat-foot London cops who think they own the universe

And Flappers, who can dance a bit but would really rather flap

And chauffeurs who see car back seats as somewhere for a nap,

And it really doesn’t matter whom you put upon the list

For they’d none of them be missed, they’d none of them be missed”

Ida laughed.

“Poor David!” she said. “I’ve seen the plans of the new Foursquares, and it’s much better. Modelled after the designs of a Swiss architect called Le Corbusier. It has a grand staircase and gallery at the front with a round bay covering it, all window, but private places off at sides and back, and the rest in brick, but with a conservatory on the roof under a glass dome. A lot of poured, reinforced concrete, and steel.”

“Well, it can’t be more grotesque than the original,” said Alexander.

Fred Chaffinch was in one of his silent paroxysms of laughter.

“That’ll do nicely for your own stamp on the song!” he said, slapping Alexander on the back. “I hope you wrote it down.”

“Not yet, Fred, I sang it extempore,” said Alexander. “But I do have a notebook with me.”

“You can use my back as a desk,” said Fred, turning round and leaning with his hands on his thighs.

“Much obliged,” said Alexander, who was used to writing in his notebook without anything to help him, but used Fred’s back out of courtesy. It did make his writing more legible.

 

“I had a good time, thanks,” said Jeff as Alexander saw him off.

“Come down on any day off, old man, and take pot luck,” said Alexander. “I suspect I will be bored much of the time, I already know all my lines, Mary is too efficient for me to need to do anything about the house or grounds, and next time you see me, I shall be fat from beer, batter, and baked goods.”

“I doubt it; you have too much nervous energy,” said Jeff, calling this last through the window as the train pulled out.

He was serenaded as he departed by Fred and Alexander informing him that a policeman’s lot was not a happy one.

Jeff disagreed; he was happier than he had been for years.

And he wanted to return to get to known Ruth Fringford better, and her engaging little girl, who had taken him to see the fairy house she had made in a hole in a tree, with some of her dollshouse furniture.

He was not to know that Alexander would be asking for him in a professional capacity before long.

 

Alexander walked into the village on Monday morning. He wanted the exercise, and did not want to mope around the house. It was dry when he left, having been drizzling earlier, and threatening more, but he had a good overcoat and hat, and a muffler in his pocket if it came on to be squally.

“If it rains seriously, I’ll bring the car down to the pub,” said Campbell. “Gladdie and Miss Ida are inventorying the attics, and I’ll be lifting, shifting, and runnin’ errands for them, but I’ll keep a wevver eye out.”

“If you find any dead rats, try to dissuade her from embalming them and interring them with a painted voice offering to whichever god it was with thousands bread, cheese, and candlewax,” said Alexander, who had heard Ida on the subject of formulaic burial phrases and thousands bread, beer, and alabaster.

“You will ’ave your little joke, sir,” said Campbell, repressively. “Any voice offerings I give those dratted critters’ll involve a burst o’ the king’s invective, naval fashion like ʼe knows well, an’ a whack wiv anyfink to ʼand.”

Alexander laughed, and went on his way.

He reached the village in a good mood, as he had made it without pain, and had seen a rather well-formed rainbow.

 “Mr Armitage, sir?” Tim Mapp, the local bobby, approached Alexander. “I know you’re on medical leave, but... but I think this is police business, and it’s out of my league.”

“‘A policeman’s lot is not a happy one,’” quoted Alexander. “You look upset.”

“Yessir, I am,” said Tim. “My Maggie had a nasty letter, and so has Sid – Sid Smith, you know, the mechanic. We’re good friends, we went to school together, and on to the grammar school; being the two who passed to go free to the grammar school makes you closer, you know?”

Alexander nodded.  He understood how it was; he had stood up for the local boys who had passed a scholarship to the grammar school he attended.

“It’s an impressive achievement, but the other kids can be little brutes,” he said. “You’re both about my age, right?”

“Yessir, I think so,” said Tim. “Well, I took my sergeant’s exams, and I heard I got the promotion in the post today, so I am moving up, but I only just got confirmation. And Sam swears there weren’t other letters, they were just in his bag with any others.”

“Which means nothing, as Sam’s bag lies about on the floor in the post office,” said Alexander, steering Tim into an alcove in the cafe-cum-bakery, which was about as private as anywhere in the village. “Bad protocol, but understandable. What did these letters say?”

“Sid burned his, but mentioned it when he heard Maggie talking about it,” said Tim. “Letters made up of being cut out of the newspaper, they were, and the envelopes done with a typewriter. Maggie showed me what had been sent to her, and I told her on no account to burn it, as we’d need evidence.”

“Good man,” said Alexander, holding out a hand. Paper did not take fingerprints well enough to bother, and so it made little difference how many people handled the letter. “Nip and show Sam the envelope; and if he or Dan see such a letter – and Dan’s more likely to do so when delivering – then they are to hold on to it, and ask the recipient to come in to the police house and open it in front of you, and then hand it over. That way, I don’t have to ask Dan to violate the mails by holding onto them for me.”

“That’s a good idea,” said Tim, relieved.

Alexander opened the letter sent to Maggie Squires. It was rather clumsily put together from words and letters cut from newspapers.

“You bitch, you think you have some say because your man friend is a copper. Don’t think I didn’t see you make eyes at the rich Londoner”

The upper and lower case were muddled where whole words were not used, to use what the writer could find, but the spelling was impeccable.

“Nasty,” said Alexander. “I trust you were able to assure Maggie that you don’t believe that nonsense?”

“Of course, sir,” said Tim. “I know my Maggie doesn’t have eyes for anyone else. And that you don’t have eyes for anyone but Ida Henderson.”

“I’m glad,” said Alexander, soberly. “This sort of thing – poison pen letters – it’s dirty, it’s insidious, and too many people say, ‘no smoke without fire.’”

Tim laughed.

“They’ve never tried to teach Cub Scouts to light a campfire and have the little ninnies try to do so with all green wood.”

“Good point,” said Alexander. “I’m glad. If I felt that you were mistrusting me, it would make my position to help very difficult.”

“I might not know what to do with a poison pen, sir, but I wasn’t born yesterday,” said Tim. “It’s all about creating sensation. I read books about psychology since you mentioned it in passing after that Gloria woman’s machinations, and I know it’s usually either teenage girls who feel isolated, or ageing spinsters, who want a bit of spice in their lives.”

“And does that lead you to anyone?” asked Alexander.

Tim shuffled, uncomfortably.

“A few names did come to mind,” he said, unhappily. “Miss Thripp, because she’s afraid she might not be able to sing; Mrs. Reckitt, who is a semi-invalid, but has access to the post bags with her husband being postmaster and her son the postman, and she does get jealous of them going out to sing. I’ve heard the odd row. And... well, Haddock Braithwaite. She’s a loner, and her father wouldn’t let her put in for the exam for the girls’ grammar school, ‘not for the likes of us,’ he said, and her clever enough to take it. And Maggie did and she’s always been jealous.”

Alexander nodded.

“If people didn’t use that unpleasant nickname, it might help,” he said. “I can see that she feels she’s wasting her youth and talent wrapping fish and chips nightly. Her father’s a heavy handed man, I think; kindly enough in his way, but he isn’t progressive.”

Tim gave a bark of sour laughter.

“Not progressive! And rain is damp,” he said. “He lets her sing because of how it would look if he didn’t, but you watch, tonight, she’ll be off to London, made up to the nines, because no chippie is open on a Monday night.”

Alexander nodded. As well as shutting on Sunday, no chip shop could open on a Monday, as of course the trawlers would not go out on a Sunday, so there was no fresh fish.  Most shops had their half day on Wednesday, but fish shops shut all day Monday. [1]

Alexander went back to the police house with Tim, which was opposite the ‘Clene Shepe’ public house, and was known locally as ‘The Crook House’ in irony, as it was a fifteenth century edifice which leaned in several different direction, and with a number of layers in the nomenclature covering the lockup in the cellar for any crooks, before transfer into Oxford, and the idea of Tim wielding a shepherd’s crook, metaphorically, on anyone drunk and disorderly. Here, he telephoned his boss, Superintendant Edwin Barrett.

“Alex, my boy! What are you up to, and why does it involve me?” he boomed.

“We just got two poison-pen letters,” said Alexander. “I know that doesn’t constitute a spate, but a spate begins as a trickle. And there might be more which have not yet shown up. Sergeant Mapp intercepted one, and has been told about another. Sid Smith... oh, here he is! Sid, what did yours say?”

“Nothing much, but Tim wanted me to tell you about it,” said the mechanic. “Something about me overcharging for having a little knowledge and that I cut the brake line of David Henderson’s car last year to stop him winning a race. Which is balderdash as it was your car, and that woman did it, and you weren’t racing.”

“How interesting,” said Alexander. “Anyway, Edwin... Superintendant, I mean, I’m trying to be official here... is it in order to ask to borrow Jeff Morrell as an official face of Scotland Yard, and Sergeant Harris? Harris is known, locally, so he’d be looked on as Tim is.”

“I’m already short an inspector with you hors de combat,” said Barrett. “You think this is going to end badly, don’t you?”

“These things are nasty, even when the writer needs help more than blame,” said Alexander.

“I can let you have Harris, and I can tell Morrell to come down at the weekends to take reports,” said Barrett. “Unless he’s on a case. That’s as far as I’ll go. Try not to get into too much trouble.”

“I’ll try, sir,” said Alexander.

He smiled at Tim as he hung up.

“We shall have Harris,” he said.  “Good at poking about, is Harris.”

“That’s good; I can be everywhere with normal things, but this isn’t,” said Tim.

“I’ll listen to what people say at the pumps when they fill up,” said Sid. “It’ll be farmers mostly, for diesel. Them as don’t still use steam. I’ve nothing against steam, mind,” he added. “And it saw us through the war. But diesel and petrol, they can do a cold start.”

“I take it you were in the Royal Engineers in the war?” asked Alexander.[2]

“That’s right, Major, and we kept all your tanks running,” said Sid.

Alexander laughed.

“That you did,” he said.

 



[1] This was true even when I was a kid in the 1970s before Sunday trading was a thing.

[2] It wasn’t REME, Royal Electrical and Mechanical Engineers until 1942.

Wednesday, March 4, 2026

Lies in Lashbrook 3

 

 

Chapter 3

 

“So, how much train traffic goes through here?” asked Jeff.

“Not a lot. Fred doesn’t have a deputy; he turns out in his pyjamas for the milk train and goes home for breakfast before the mainline trains into Oxford and London for those going off to work in one of the cities,” Alexander explained. “There’s a few during the day for shopping, and the return trains. There’s a late night train back from the city as well, for those who have gone up for shows, but whichever ticket clerk or ticket collector is on duty calls for Fred after six in the evening if needed.  Fred coerced the Busby brothers and Les Edgington into the chorus, the ones who do the night shift managed to escape.”

Jeff laughed.

“How many people live in Lashbrook?” he asked.

“Around two hundred and fifty,” said Alexander. “And to be honest, the players only account for about one in ten. The farmers and farmworkers don’t have time or energy, though they like to come and see the show.  And of course, the players don’t meet on Tuesdays.”

“Why not?” asked Jeff.

“Scouting for boys and Girl-Guides,” said Alexander. “I’m avoiding being roped in. Mapp, the local bobby, runs Scouts, with help from the vicar and Oliver Oliver, who is part valet to the vicar and part sexton and don’t ask questions about the alcoholic smells from the crypt where he distils the dregs of the communion wine. I don’t ask questions and he tells me no lies. He’s mostly harmless and not worth running in. He hasn’t blown the church up yet, anyway.”

“Optimist,” said Jeff. “No, he’s no large scale criminal.  And in the country, in a crypt surrounded by a churchyard, likely enough nobody is going to complain.”

Alexander released the breath he had not realised he was holding; Jeff could be strait-laced about things like alcohol violations, but plainly even Jeff could see that Oliver was harmless. It was up to young Mapp to warn Oliver if his hooch brewing became a problem.

“There’s going to be a meeting in the village hall, which is the Nissan hut over there, this afternoon,” said Alexander.  “You’ll meet most of the other players then.”

 

 

Fred Chaffinch took control of the meeting.

“All here as could come? Good, good,” he said.  “Oliver’s dropped out of Koko, as some of you know, but he always was a bit flaky, so I’m not displeased. Miss Thripp is stepping up as Katisha, because she’s a real trooper, leaving Mr. Armitage as Koko.”

“He’s a newcomer, can he cope with changing roles?” asked a girl in the chorus.

“Bless you, Maud, Mr. Armitage knows every word Mr. Gilbert ever wrote,” said Fred. “Here, Mr. A, you show them.”

Alexander obediently sang,

Taken from a county jail

By a set of curious chances

Liberated then on bail

On my own recognisances.

Wafted by a fav’ring gale

As one sometimes is in trances

To a height that few can scale

Save by long and weary dances;

So incredible a tale

That may rank with most romances.”

 “Adventurous, not incredible,” said Fred. “Carry on!”

Alexander obediently sang the partial repeat as the chorus joined in, to

Surely never had a male so adventurous a tale!”

The chorus carried on,

Defer, defer, to the lord high executioner!” to the end of the piece as Alexander acknowledged their bows and deference with a show of some deprecation.

“Oh, yes, Mr. Armitage, I like that.  Playing Koko as a modest man with much to be modest about,” said Fred.  “Any other objections?”

There were none, but a few mutters were made about Miss Thripp as Katisha.

“Thank you, I am saving my voice and anticipating it improving,” said Miss Thripp. “And if it does not, then I shall play the lack of vocals for comedy value.”

“And that’s a real trooper for you,” boomed Fred. “We’ll have to shorten Koko’s kimono; Oliver is even taller than Mr. A.”

“I think I should be Alexander to the troupe," said Alexander. “He’s sufficiently taller than me that I could play it into the modest man concept, occasionally tripping on it, literally occupying the robes of a greater man.”

“If you can do that without tripping seriously, Mr. Armitage, it should get a laugh or two,” said Fred, pleased.

“Pooh-bah might stand on the back of it from time to time; Sam and I can sort something out between us,” said Alexander. If the wine did not work, at least other comedic figures would cut the cruel exposure of Miss Thripp.

“Who’s playing Pitti-Sing and Peep-bo?” asked Maud.

“It won’t be you, Haddock, you’re too reedy,” said another girl.  Maud flushed as Alexander placed her in his mind as the girl in the chippie, likely Braithwaite’s daughter. Calling her ‘Haddock’ seemed rather unkind, but young people nowadays could be very cruel.

“Now then!” said Fred. “Maggie and Emma Squires are understudies until Miss Henderson and her friend can come. Some people have to work, you know.”

“At weekends?” asked Maud.

“She’s a trainee archaeologist,” said Alexander. “And digging goes on when the weather is fine. Both are practising and will be here.”

“Why are we bringing in outsiders?” asked Maud with a whine to her voice. “This is the Lashbrook players, not the Lashbrook player and some posh Londoners.”

“You appear to be labouring under a misapprehension, Miss Braithwaite,” said Alexander. “Ida and Gladys were born and raised in Lashbrook; the Hendersons are an old family, as are the Prices, if not so elevated. Surely you were a Girl Guide with Ida Henderson and Gladys Price?”

“Oh!” said Maud. “Yes, of course. But you…”

“I was a friend of Basil Henderson,” said Alexander. “I know he painted scenery for the players; Ida has his talent and will doubtless also help out.”

Maud subsided.

“Damn fine artist, Basil Henderson,” said Fred Chaffinch.  “I have a sketch he made of me as the Mikado from the first time we did it, only with my stationmaster’s hat, making Mr. David Henderson ride on the buffer.” He looked suddenly embarrassed, but Alexander laughed.

“David and I get on better the less we have to be together,” he said.

There were several more or less supressed sniggers.

“Him, he’s stuck up,” said Maud.

“Somewhat, but more than that, he has trouble expressing himself,” said Alexander.

“Well, you would stick up for him, you being gentry too,” said Maud.

“I have to stick up for him because he’s my friend’s brother, and Basil would expect me to look out for him,” said Alex. “Shall we get on with the rehearsal?”

Many people needed their lines and lyrics in front of them still, but they had an idea of the shape of the operetta, and the rehearsal went well. Dan Reckitt, the village postman, sang the part of Nanki-poo very well, and being slender of build fit very well with being a ‘thing of rags and patches.’ He played his own guitar with considerable skill, having disguised it with a square of cardboard over it to look more like a samisen, which he had painted black with a ferocious golden dragon wrapping around it as decoration.

“They take it all very seriously,” said Jeff.

“Oh, yes, totally,” said Alexander. “Sometimes a little too seriously, I suspect; Fred makes amusing stories, but occasionally I believe egos can flare with some need for smoothing things over.”

He was up next for a duet with Miss Thripp. He approached her, cautiously, did a prat-fall, and fell to his knees in front of her.

“He thinks he can impress me,” said Miss Thripp, from behind her fan, improvising. “But I will not forget he robbed me of my bridegroom!” she returned to script. “Let him kneel!”

“Good! Good! We’ll keep that in,” said Fred.

Miss Thripp’s voice faltered as she was singing the last number, ‘There is beauty in the bellow of the blast,’ which coincided with the arrival of a young man who bore a slight resemblance to Miss Thripp, but whose chin was much weaker.

“My poor aunt! But it was a brave effort,” he said, coming forward as she whispered to a finish.

“Oh, Edgar, dear, have you come to walk me home? How kind you are,” said Miss Thripp.

“Why, I brought my car to collect you, Aunt Betty,” said Edgar.

“There was no need for that, dear boy, I’m not an invalid and it’s scarcely a step,” said Miss Thripp.

“Why, it’s fully a quarter of a mile, and the night air cannot be good for your throat,” said Edgar.

“Ah, you are kind to me,” said Miss Thripp, “but another time, do just walk over; I don’t want to become feeble.”

Edgar laughed.

“You hearty country folk!” he said. “But I will do my best to look out for your interests, Aunt Betty, you deserve a bit of cossetting!”

“So kind,” murmured Miss Thripp.

“I wonder why I want to knock his teeth down his throat?” Alexander muttered to Jeff.

“I don’t know, but he affects me the same way too,” Jeff replied. “Though he looks to me to be everything I thought you were; a privileged young wastrel with expensive tastes and no visible means of support.”

“If you ever thought I was like that, I’m not surprised you loathed me,” muttered Alexander. “Oh, well, he may want to privately laugh at Miss Thripp, but five ‘ll get you ten my mother’s jollop will sort her out completely.”

“I never bet on certainties,” said Jeff.

Miss Thripp left, and Alex drove Jeff back to Heywood Hall, which was the proper name of the Tudor mansion.

“I’ve half a mind to change the name to Copper’s Cottage or something,” laughed Alexander, as they turned in the drive.

“If it was at the seaside, you could call it ‘The Copper’s Beach,’ and have people asking plaintively about copper beech trees,” laughed Jeff.

“Oh, very good. I must purchase a beach hut if nothing else.”

“If I know you, you’ll get a beach hut which is out of the league of the working man’s six by eight shed full of fishing gear and waders,” said Jeff.

“More than likely,” said Alexander. “Some pretentious bungalow bigger than most houses in the most modern style, which means the roof will leak, and the winter’s blast will shatter all the outsize windows, and I will smile as if the cost of upkeep doesn’t break my heart and murmur about the need to be modern, and direct your attention to the sleek lines and modern materials.”

“Ass,” said Jeff, amicably. “Considering I’ve heard you animadverting on your brother-in-law to-be’s place and referring to it as ‘the sewerage station run mad,’ I can’t see that.”

“I like old houses,” said Alexander. “And here’s our lovely old house and it’s lovely comptroller,” he added, raising his hat to Mary, as she met them at the door.

“Oh, get on with you, Mr. Alexander,” said Mary.  “I’ve got some nice cutlets for dinner; do you mind if it’s served soon? Ruth doesn’t like Milliemolliemegsie to sit up too late, and you did say she might join you for dinner.”

“Oh, of course, delighted to fit in with you,” said Alexander. “We must change – well, I must, I’ve been throwing myself around as Koko, and I smell. No reason for Jeff to change so if I can have fifteen minutes to wash and scramble into clean duds….”

“No need to scramble, sir!  I can have it on the table in half an hour.”

“Splendid,” said Alexander. “Er, unusual name for your granddaughter, wot?”

“Her name is Millicent Mary Margaret, sir, and it sort of grew from  that,” said Mary, blushing.

“Milliemolliemegsie, I see. I’ll try and remember.”

“She answers to Millie,” said Mary.

 

 

Half an hour later, pink and scrubbed, Alexander came into the small dining room, where a pretty girl was adjusting a bib on a mutinous little girl. The young woman was dark, with a neat figure, and her child had red hair.

“Hello!” said Alexander. “Miss Fringford, and the younger Miss Fringford, I assume; now, I’m guessing you aren’t used to a bib with nursery tea, young lady, but Mama thinks it a good idea when dining in public, as it were.”

“It did seem like a good idea, sir,” said Ruth. “And I answer to ‘Ruth,’ sir, not being gentry. And Milliemolliemegsie is honoured to be addressed at all.”

“Well, if it doesn’t offend you,” said Alexander. “Miss Millie must make up her own mind.”

Milliemolliemegsie regarded him for a moment then giggled.

“You may call me ‘Miss Millie,’ she said, grandly.

“Miss Millie it is, then,” said Alexander. “You know, I shall tuck my napkin in my collar but napkins are a bit harder to control; so suppose you put up with a bib while you get used to us, and then Mama can teach you to use a napkin?”

The child regarded him solemnly.

“All right,” she said.

Ruth drew a sigh of relief.

“Thank you, sir,” she said.

“She’s that Thripp fellow’s child, isn’t she?” said Alexander, regarding Millie. “At least she’s inherited most of your looks.”

Ruth blushed.

“I… he made me think he planned to marry me,” she said, defensively. “We were both very young.”

“You can’t, either of you have been older than about seventeen,” said Alexander. “I don’t judge; except that a true gentleman does not behave like that. I already dislike the fellow, so it’s another mark against him. I expect Miss Thripp would like to have time in her great niece’s life.”

“She has been all that is good,” said Ruth. “She thinks him a good man, though; I have not told her how he laughed at me and asked how I thought a gentleman would marry a serving wench.”

“What a tick he is!” said Alexander. “Well! Let us eat; Mary and Cambell come bearing viands.”

 

Tuesday, March 3, 2026

lies in Lashbrook 2

 

Chapter 2

 

Alexander rose early by habit, and Jeff opened his bedroom door, hearing him moving.

“You can’t sleep in either, eh?” said Alexander, jovially. “No, no, don’t blush for still being in pyjamas, I was going to have breakfast in my dressing gown and then take a leisurely bath when the boiler has had a chance to heat up properly.  I’ll be putting something more modern in so there’s enough hot water for everyone, but I told Mary not on any account to skimp for herself. I don’t see why I shouldn’t please myself in my own home, so please join me in PJs!”

“I don’t say I don’t get myself breakfast before dressing at times on the weekend,” admitted Jeff. “You can tell me about the village players.”

“Certainly! Though the one I know best is Fred Chaffinch, the stationmaster. A fine bass, and sings at work. His lady wife, Polly, is a soprano who can stretch to mezzo at need, she usually sings the lead, and has kept herself trim enough to pass for half her age on stage. Fred’s frankly portly, but some of that is down to the excellence of the pastry in the bakery. Polly firmly feeds him healthy food, but Fred’s a rebel.”

“I sympathise,” said Jeff.

“Me too; but I do exercise more than Fred,” said Alexander. “Polly is also a creature of habit, and feeds him according to what day it is. And sometimes a man gets bored. But he won’t take it up with her, as she’s a good wife to him, and he doesn’t like to criticise.”

“I should say if a woman has only one fault, it would be ungrateful,” agreed Jeff. “So, she’s playing Yum-Yum?  I picked up a libretto secondhand in Portobello Road. I’ve been studying them to keep up with you.”

“Bless you! That’s above and beyond,” said Alexander. “Ida’s singing Pitti Sing, and Gladys, who is more by way of being her companion than her maid, is singing t’other one. Peep-bo, that’s what she’s called. Apparently the three girls in the original 1885 production were all short and someone suggested to W.S. Gilbert that they should be schoolgirls, which led to probably the most well-known song from the show.”

“You live and learn!” said Jeff.

 

Breakfasted, dressed, and strolling out, Alexander continued his description of local notables.

“Dan Reckitt is our Nanki-Poo,” said Alexander. “He’s the postman; his father, Sam, is postmaster, which means he’s also newsagent, and owns the bakery and tea shop, so the role of Pooh-Bah is made for him, though with plenty of padding, as he’s as wiry as his son. Fred is the Mikado. Then there’s Tim Mapp, the local bobby, his best girl, Maggie Squires and her parents, Thomas and Marion, who run the bakery. Miss Thripp’s voice has been a problem, but she often fills in with secondary roles. And others who do the other roles. I don’t know everyone yet, but I will. Oh, Sid Smith, who is a mechanic and runs the garage; his father, Simon, is a blacksmith and farrier, and won’t have anything to do with ‘stage shenanigans.’ Cecily, Lady Baskerville, whom the locals call without regard to accuracy, ‘Lady Cecily’ doesn’t care to play on stage, but she’s an invaluable support in painting scenery; she’s a competent artist, if not in Ida’s league. And her little boy is happy to be dressed up and be a page or whatever, which keeps him occupied. Poor Cyril, lost his father before he was even born, and has a hollow title. Ida is a friend of Cecily’s and likes to keep an eye on Cyril.”

“It sounds like a community venture.”

“It really is. It’s mostly what you might call the skirters of the gentry, those with enough money and leisure to give time to it, land owners or shop holders. Cecily is, paradoxically, the poorest, but she’s popular, so she gets given offcuts of meat that ‘don’t look good enough to sell’ from Thruppence the butcher, or ends of fish ‘for a nice pie’ from Braithwaite, the fishmonger, who also runs the chippie, and sends her down leftovers. The Major was well-loved, apparently, Major Dennis Baskerville, that is.  His widow is seen as someone to look after.”

“Somewhat feudal,” said Jeff, not sounding approving.

“Yes, but poor Cecily was reared in such a way as to be unfit for any career,” said Alexander. “She does exquisite embroidery which Ida arranges to be sold, but it does not sell for its true value, of course. Ida got her involved in adding beadwork to fashion gowns, which does her better. She, Ida that is, has a schoolfriend who runs a boutique, on the strength of fashion drawings Ida did for her, being the forceful sort of young lady who took on board the reverses her family suffered and went out to do something about it, having a skill with dressmaking, and some skill with design. Ida helped make her fashionable, and Cecily now does delicate work for her. Velma, that’s the boutique owner, employs half a dozen girls, but that’s not really germane to the village here, as she’s based in London. You raided her when her brother, who’s a poisonous tick, ratted her up as running a bawdy house, as her employees live in, in the house her aunt left her.”

“That was damned embarrassing,” admitted Jeff. “She is a forceful lady, but she was very civil and forbearing.  It was quite plainly no such thing as a bawdy house, and I said so. Her brother, was it?  He’d bear watching.”

“Ida has her eyes on him,” said Alexander. “But I suspect he’s into drugs or something else illegal, I just haven’t got anything on him, yet.”

“Well, having met him, I, too, will keep an eye on Mr. Sidney Ambridge,” said Jeff. “I didn’t like him when he laid information.”

“Cheers,” said Alexander. “We might as well wander into the station, and I can introduce you to Fred.”

 

Fred Chaffinch pumped Jeff’s hand firmly.

“Mr. Armitage! You find me embarrassed,” he said to Alexander. “Would you mind switching roles in the play?”

“So long as I don’t have to sing Yum-Yum if your good lady has dropped out,” said Alexander. “The thought of what I’d have to do to reach those notes is excruciating.”

Fred boomed a laugh.

“Tears to the eyes, all right!” he agreed. “No, Oliver Oliver has dropped out of singing Koko.”

“No, really? Such a lugubrious fellow as our sexton was almost made for the part,” said Alexander.  “I can sing Koko, but what about Katisha?”

Fred looked uncomfortable.

“Miss Thripp wants to do it,” he said.

“I thought the laryngitis she had last year had caused her problems?” said Alexander.

Fred pulled a face.

“She has her nephew, Edgar, staying with her, who thinks she should fight for her rights to tread the boards with everyone else, and who thinks her failing voice could be made a comic feature for Katisha.”

Alexander frowned.

“That sounds cruel,” he said. “However, I’ll see if my mother will produce some of her famous honey, haw and blackcurrant wine to help her throat. I didn’t like to push in and suggest it before, but under the circumstances….”

Fred sniggered.

“She’s teetotal, is Miss Thripp, but if you tell her it’s medicine, she’ll take it religiously before bed, and if it gives her wilder dreams than she’s used to, I’m sure it won’t do her any harm. Thank you for understanding; normally she would sing something like Peep-bo, who has a tiny part, but she would take part.”

“If it gets too much for her, I’m sure Gladys would swap roles. Resourceful girl and quite capable of singing Katisha,” said Alexander.

Fred nodded.

“We can be flexible,” he said. “We’re used to things going wrong and carrying on like nothing has happened. We had some schoolmaster down one year, writing about the resourceful nature of the village schoolmistress for some academic magazine, and we got up a talent show, and he declaimed ‘Tubal Cain;’ and he did it with such an affected manner, and outrageous gestures, Simon Smith got it into his head that he was taking the mock, and advanced on him. Seemingly the schoolmaster had passed remarks on obsolete skills when Sid was doing up his car; and Sid hung one on him, being fond of his father. Pacifying Simon and getting them both offstage in opposite directions was a nightmare!”

“I can imagine,” said Alexander. “Simon Smith’s a force of nature when set off about something. And Sid’s a good son to him, as well as being my mechanic of choice even with all London to choose from.”

“I’ll drop him the word you said that,” said Fred. “He’ll be that chuffed!”

“It’s true,” said Alexander. “What of this Edgar… Thripp, I assume as you gave no other name?”

“Miss Thripp’s poor brother’s boy, though what was poor about him I don’t know,” said Fred.  “St. John Thripp was a wastrel and a scoundrel, married money and spent it, and fell drunk into the river and drowned leaving Edgar at university where Miss Thripp paid for him as his poor mother had died quietly of grief in fear of asking for enough money to replace the rags St. John Thripp’s shenanigans reduced her to. My missus is all for women exercising their rights to hang on to their own money, but that poor silly girl had no idea she was allowed to.”

“That’s a poor job on the part of her solicitor,” said Alexander.

“You never said a truer word! At least Miss T is shrewd enough to hang on to her little nest egg from her aunt; she paid for Edgar’s schooling from savings from her pay as schoolmistress.”

“She is no fool,” said Alexander. “I’ll wire for Mama to send her some throat juice, which is what we all called it growing up. And often extended our symptoms to be allowed it for a little longer.”

Fred laughed.

“You could probably make a fortune from it… if it weren’t against the law,” he said.

“Oh, Mama raises money for good causes at local fairs by selling a recipe for sixpence, and a free taste of the wine involved,” he said. “No alcohol is paid for; it’s complimentary alongside the typewritten recipe.”

“Now that’s casuistry!” said Jeff.

“Of course it is,” said Alexander. “But it raises money for the orphanage, or the church tower, and it’s not even harmful.  Well, not unless anyone drinks too many recipes.”

“Drunk and disorderly is at least something that can be regulated,” said Jeff.

“More likely passed out and vomiting on the vicar’s wife,” said Alexander. “Ghastly woman; all teeth and false eyelashes, and upset about the flower show’s main man referring to his secret being plenty of dung. Wanted it called ‘manure,’ but it’s taken Gaffer Cubitt’s wife any time the last forty years getting him to call it ‘dung.’”

“Oh, a good bit of shit does wonders for the roses,” said Fred. “And the nasturshalums. You oughta see my station nasturshalums in summer, Mr. Armitage, one part horse shit to seven parts compost. I got my compost bin out back of the station, and everything goes on it, left sandwiches, flowers bought and left to wilt in waiting rooms, newspapers, straw from the egg packing, stale beer, it all works down to make a nice drop o’ compost.”

“You’d get on just fine with my mother,” said Alexander.

He took Jeff Morrell to the post office, which was combined with the bakery-cum-teashop, and sent a telegram.

“I love the way you just send telegrams and expect your mother to send wine by return of post,” said Jeff. “I’m teetotal myself, but I have to say, my aunt makes medicinal wine, and it’s delicious.”

“I like country wines better than most table wines, myself,” admitted Alexander. “My mother’s mead is to die for. And probably an illegal strength to even exist outside of something called a spirit.”

“Didn’t the Vikings drink mead?” asked Jeff.

“Yes,” said Alexander.

“Maybe that explains a thing or two about them,” said Jeff.

Alexander laughed.

“I wouldn’t argue,” he said. “Oh, there’s Miss Thripp, and she is looking at me with timid terror in case I demand to hold onto my role. Miss Thripp! My friend, Mr. Jeff Morrell; he’s staying with me and volunteers to help with scenery. I hear you’re up for Katisha?”

The little lady of indeterminate age spoke in a whisper.

“Oh, Mr. Armitage! Do you mind? My nephew, my poor brother’s boy, you know, thinks that playing Katisha with a whisper might have comic effect. He tries so hard, though I am a bit nervous…”

“I’ve written to my mother for her patent cure for laryngitis,” said Alexander. “Keep it in your bedroom, and take a glass every night, and you can surprise your nephew and everyone else with how quickly your voice gets back to normal. You’ll be the terror of the classroom again in no time!”

“Oh, do you think so? Children nowadays do need the occasional raise in the voice, and it’s so hard….”

“I’m sure it will work,” said Alexander, who suspected that part of Miss Thripp’s problem was fear of overtaxing her voice, leading to her subconsciously suppressing it.

Sam Reckitt strolled over.

“Mr. Armitage! Can you really help Miss Thripp’s voice? I didn’t like the idea of making her a laughing stock.”

“My mother’s concoction of honey, haw, and blackcurrant will do it,” said Alexander, with confidence. “But let’s keep it quiet, eh, Sam? Not let anyone try to make Miss Thripp force it. And what a lovely surprise for her nephew if she can get better and play the role as it should be played.”

“Oh, yes! Edgar means well, but I was not happy about being laughed at,” said Miss Thripp. “I will take my medicine like a good girl.”

“It’ll come from Essex to me, you can unwrap it, Sam, and pass direct to Miss Thripp, I give you permission,” said Alexander.

“Well, permission from the police to interfere with the mails, that’s a different kettle of fish to just opening it,” laughed Reckitt.  

“My mother might just include another bottle for the good health of the players, so you can quietly squirrel that away,” said Alexander.

“Oh, ho! I see,” said Reckitt.

So kind of your dear lady mother,” murmured Miss Thripp.

“She is,” said Alexander.

“Is it true that Mr. David Henderson is moving back to the village?” asked Reckitt. “I hear he remarried in haste.”

“Oh, Sam! Don’t you go fuelling the gossip. David adored Helen and was devastated when she was murdered, along with his brother, Basil, and all that dreadful business,” said Alexander[1]. “He remarried to Ida’s companion because he can’t cope with things like tradesmen and feeding himself, being all high-falutin’ architect and no common sense at all. I make an effort to be civil to him, but I find Elinor, his new wife, easier to deal with, and she handles him like a good nanny. It's a business arrangement, she gets security, and he gets to be looked after. Now, do be discreet about it, old man, but do scotch any rumours. Elinor is no young beauty sweeping him off his feet, and she knows it, but she’d still be hurt if anyone commented.”

“What, not Elinor Truckle?” asked Sam Reckit. “I thought she was Miss Ida’s governess.”

“Well, yes,” said Alexander. “But she has the knack of handling David. The builders should be starting today to clear and rebuild Foursquares.”

“Lord, not the same glass monstrosity as it was, I hope,” said Reckitt.

“No, Elinor and I put in our thoughts, and it shouldn’t be more than ordinarily ugly,” Said Alexander, with more honesty than tact.

Reckitt laughed heartily.

“Oh, well, it’s my boy who has to approach it with the mail.”

 



[1] See ‘Murder, in oils’